by Louella Lester

No one lives above us, but there is a woman who is part of the refugee family that lives across the hall. When she is there alone her screams sometimes escape. Slide right under our door where they wait for translation.

* * *

Louella Lester is a writer/photographer in Winnipeg, Canada, author of Glass Bricks, contributing editor at NFFR, and is included in Best Microfiction 2024.
​Instagram: @louellalester  
Bluesky: @louellalester.bsky.social    

by Bernard Pearson

In the  cradle
Of our last night,
When all things hang
In the balance of time
Will we see, really see?
The world that dies with us,
or the one that has waited
So patiently, for our return.

* * *

BERNARD PEARSON: His work appears in over one hundred and thirty publications worldwide, including; Aesthetica Magazine, The Edinburgh Review, and Crossways. In 2017 a selection of his poetry, In Free Fall, was published by Leaf by Leaf Press.

by Paul Lewthwaite

I taught mathematics, but dabbled with him.
When the affair ended, no formula could encapsulate his rage.
The police were useless.
I withdrew from life; silent anger bubbled in my shell of shame.
A year later, I tracked him down.
Subtracting guilt, an equation arose that I could solve.
Fatally.

* * *

Paul is a retired physician living in Scotland with his wife and a small, but all-powerful cat. Occasionally he writes stories, some even get published. Paul's fledgling (and sadly neglected!) website can be found at When Can I Call Myself a Writer?

by Veronica L.

Lorena took a sip of wine. The intense ruby red, tending towards garnet, reflected the terracotta tones of the Roman sunset. For the first time, she admired that sunset alone, surrounded by a scene still capable of moving her.

Rome, her adopted city, for two decades the stage of stolen kisses under the Colosseum. Rome, a silent witness to many nights of love under a generous moon. 

Slow rhythms, a comfortable life, built brick by brick. Those same bricks that had gradually ceased to be the sign of solid foundations and had become an imposing wall between her and her husband. An overwhelming gap for those who can no longer see themselves in the other’s eyes.  

* * *
​
Veronica L. is an Italy-based writer with a PhD in Iberian and Ibero-American Languages and Literatures. She has authored several non-fiction books, some published in English by Anglo-Saxon presses, along with works of fiction. Her short story The Poor Copy appeared in Adelaide Literary Magazine (No. 73, February 2025).

by Anne Howkins

Sea and sky are indecipherable—at night there’s a moonlit line that might be the horizon. Sometimes the flood laps at the weather girl’s bedroom window, seductively shush-shushing that it means no harm. Sometimes it growls the anguish of the drowned.

Without power or paper, the weather girl records her observations in knots. She’s ransacked the house, harvesting anything that can be unravelled, combed, spun, twisted, until every surface is strewn with something like rope, and the wardrobes and cupboards gape empty.

She’s woven and knotted pressure, windspeed and rainfall into whirligig clusters. Her fingers weep blood as the malevolent sky mocks her furious recording. On days when the heavens are silver, not cast iron, when the winds are gentle, yet deviously warm, she allows the ropes to divide. She threads them with rings, necklaces, beads and buttons, treasured memories marking love she hopes isn’t lost. When the barometer falls, again, again, and the house begins moaning, she plaits the strands back together, securing everything precious. She weaves her own undoing into the tapestries, until her limbs feel empty, ready to hold something again, hold her husband again.

At night she wraps herself in her knotted yarns, caressing, letting her fingers explore the chasms she’s seen, she’s created. Sometimes she burrows her nails deep, finds the day her husband left. When her fingers stroke the remnants of love, her heart untethers, her lungs loosen and she weeps, letting the rhythm of the endlessly cruel rain rattling the roof rock her back and forth.

She leaves on a night when the moonlit line is more than a dream. She spools ropes into a sail, launches herself towards the east, hoping her forecast is accurate and the grasping hands of the drowned keep to themselves.

Hoping there is something dry out there.

* * *

Anne loves the challenge of telling stories in very few words. Her stories have appeared in print and online at WestWord, Flash 500, Reflex Fiction, Flash Fiction Magazine, National Flash Fiction Day, Lunate, Strands International and Bath Flash Fiction.

by Christy Hartman

I grate a teaspoon of nutmeg into the bowl; preparing Finn’s favourite cake is a rare reprieve from my burden. Winter-fever picks off more villagers daily, snuffing them like Mass candles after the Saints are beseeched. 
 
My throat is raw, eyes red-rimmed from hours wailing for wee Orla Murphy. Finn had slouched on the cottage’s porch with the other men. Futility and grief hung thick in the air. The women inside met my keening with their own cries. My vigil only ceased when the child’s spirit drifted through the open window. I retreated to my home, hidden beyond the mist.
 
I’m reaching into the oven when despair’s veil descends again. I shrug on my cloak and succumb to the pull, wild hair flowing behind me, untamed as the river that dragged me under, sealing my fate. Back then I was Clodagh, devoted fiancé; now I am only Banshee. 
 
I feel his essence fading as I approach the cabin, his fear twisting into me. Fever radiates through the open door. My should-have-been mother-in-law kneels at Finn’s bedside. I writhe above the cabin; my guttural screams shake the walls. When his tortured body finally succumbs, his soul soars past. I give chase, crying out as he slips from view, into the fog shrouding the moor. 
 
Cloves and cinnamon scent the air around my house. I pause at the window. Finn is there. My Finn. I weep with self-serving relief. Crossing the threshold, I am eternally reunited with my love.

* * *

Christy Hartman pens short fiction from her home between the ocean and mountains of Vancouver Island Canada. She writes about the chasm between love and loss and picking out the morsels of magic in life’s quiet moments.

by Chris Cottom

I get home to find Marion radiant and every bookcase empty.
"Happy retirement," she says, handing me a Kindle.
Even family photos, it appears, aren’t sacrosanct.
"Digital storage is eco-responsible," she says, as her scanner-shredder swallows our wedding album.
"But we can’t digitise my LPs. My Flying Burrito Brothers, my Motown Chartbusters."
"I have seen the future of rock ’n’ roll," says my once hippy-chick wife. "It’s called Spotify."
 
She drags me around a canal-side complex for the over sixties.
"I’m happy where we are," I say. "And none of these flats have kitchens."
"We’ll eat out. I’ve done a cost-analysis."
"What about making a sandwich? A cup of coffee?"
"Duh! Ever heard of meal deals, David? And there’s a coffee shop across the bridge. Called Nomad."
"I feel like I’m a nomad."
 
On our way to sign the lease, Marion takes me to the whole-life memory scanner at the health centre.
"Copies everything onto an SD card," she says. "Ideal for when we start losing it."
I step to one side. "Ladies first."
I slip the technician a wad of fifties, tell him to press Wipe. Then I get out the lease and ask him to shred it.

* * *

Chris Cottom lives near Macclesfield, UK. One of his stories was read aloud on the Esk Valley Railway between Middlesbrough and Whitby. In the early 1970s he lived next door to JRR Tolkien.
@chriscottom.bsky.social

by David Thompson

No news for several days:
I went to the florist anyway.
An armful of flowers
means love in any language:
new buds, odours, colours,
fresh beauty shared.

But if today was different?
Outside the shop, sun hit the blooms.
As I paused, a butterfly
slipped through a gap in time,
danced a last poem,
and settled softly
on a white cyclamen
to tell me I was too late.

When I got home,
a message said
you'd left my world that morning.

* * *

David Thompson was a translator, interpreter, editor and publisher with the UN and WHO in New York, Bangkok and Geneva. He has since published two poetry collections: Days of Dark and Light (2021) and Where The Love Is (2023).

by Beth Sherman

​I wake one morning, after uneasy dreams, to find myself transformed into a lesser, long-nosed bat. Nights, I hang upside down in your attic or flit through your garden, lapping nectar from bee balm. Endangered. Despised. With my pointy ears, short tail and brown fur, I look harmless enough, like a chipmunk with wings. I can fly now, hitching a ride on the wind’s back, somersaulting through clouds. My hearing has improved. Sound waves determine your exact location: office, park, bar. I know the name of each girl you bed, each lovely lie you tell. Try to get rid of me. Try. I dare you. Plant mothballs in the eaves. Lay your sticky traps. Plug holes in the roof. I am your shadow now, black as an evening glove, translucent as spilled moonlight. While you sleep, I aim for your hair, my fangs tickling your eyebrows.

* * *

​Beth Sherman’s writing has been published in more than 100 literary journals, including 100 Word Story, Fictive Dream, Tiny Molecules and Bending Genres. Her work is featured in Best Microfiction 2024 and she can be reached @bsherm36 on Instagram, Blusky, or X.

by Joseph E. Arechavala

I sat across the tree stump from Him, waiting. Waiting for Him to answer my plea. The songbirds softly chirped their last calls before sunset, and the evening mist was beginning to gather. "Do you fancy a game of chess?" He asked, in a quiet voice. 

I looked down to see the board. I honestly hadn't even noticed it sitting there. I was a bit surprised it wasn't harsh black and white Gothic, or sleekly modern walnut and maple. Instead, I saw white and green jade pieces, simply carved, resting on the white and green board, waiting. Like me.

"I suck at chess," I offered. "You'd win easily."

"Sometimes it's not about winning or losing. Sometimes, it's just about having a nice, quiet game to pass the time and talk."

"I didn't expect to have this much time with You. I figured You'd be busy collecting souls."

"It's my day off. There are many of us, you know. And even an Angel needs to recharge every once in a while." He gazed off, as though looking at some destination in the distance.

"Well?" I pressed.

"It's not your time." His hand paused above the board, then He chose, and moved a pawn. "We have rules to follow, you know." He looked up from from His move, light blond hair falling across one blue eye, an expectant expression on His face.

I sighed. 

"But I think we can bend them this once. Let's have a nice, quiet game though, first."

I looked down, chose a pawn, and moved it two spaces forward. "Let's.”

* * *

​Joseph E. Arechavala is a lifelong resident of NJ and graduate of Rutgers University who has had poems and stories published. He has a novel, Darkness Persists, available on Amazon and is working on an anthology.

by Morgan Chalfant

It hurts to see you still have no ability.
You can’t make decisions for yourself.
Individuality was torn out of reach,
hidden on someone else’s shelf.
 
You’re a doll, a marionette on strings,
a mannequin posed in place.
If you had the choice of what to look like,
you’d let someone else choose your face.
 
What do you call your personality,
when the ‘person’ you are isn’t you?
If I asked you what to bury you in,
you’d answer, “He told me I want blue.”

* * *

​Morgan Chalfant is a novelist, poet, and an instructor of writing at Fort Hays State University. He is a native of Hill City, Kansas. He received his bachelor's degree in writing and his master's degree in literature from Fort Hays State University. He is the author of the horror/thriller novella, Focused Insanity, and the urban fantasy novel, Ghosts of Glory.

by Beth Sherman

A memory. Me, age 11, in the backyard of a stranger’s house, watching a pileated woodpecker tap a sweet gum tree. Ack ack ack ack ack ack ack, the bird calls, in a shrill, urgent voice. My father is inside — this'll just take 10 minutes and then we'll get some ice cream. I can almost taste peanut butter swirls, almost smell toffee bits crumbled on top. I pluck a blade of grass, touch its slippery green to my cheek.

All the curtains in the house are drawn. Tilting my head, I see the woodpecker vacuuming ants down its beak. I don’t own a watch, but it’s been more than ten minutes, so long that I wonder if my father will ever come out or if the house has swallowed him whole.

Later, when my mother asks where we’ve been, I don’t mention the woodpecker or the curtain house or the strange look on my father’s face when he got in the car, like he’d been lost in the woods and just spotted a breadcrumb, or that the ice cream place was closed when we got there. We drove around, I say, which was partially, mostly true.

* * *

Beth Sherman’s writing has been published in more than 100 literary journals, including 100 Word Story, Fictive Dream, Tiny Molecules and Bending Genres. Her work is featured in Best Microfiction 2024 and she can be reached @bsherm36 on Instagram, Blusky, or X.

by Katie Thorn

Mark watched his newest wife throw the bouquet over her shoulder. You’d think he’d be used to it: the bouquet toss, the party games, and drunk uncles. 

It set his teeth on edge.

Abbey was a safer bet than his previous wives. Laurel had impeded his plans. Roberta couldn’t keep up with him. Abbey, though—he’d known her since childhood. Heck, he’d dated her sister at university. 

Abbey would know how to keep him happy. And it didn’t hurt to have the sister waiting in the wings. He downed his champagne and stepped into the sun, clapping with the guests. 

* * *

Katie Thorn, currently studying creative writing online through Falmouth University, divides her time between writing, baking, and listening to odd musicals. Her stories have been published in Livina Press, Prompt Press, The Writer’s Workout, Magnolia Magazine, and Candlelit Chronicles.

by Mathieu Parsy

Once inseparable, jealousy over a boy caused a landslide that buried their friendship. Their chests turned into large crevices, overgrown with trees and foliage. Tectonic plates shifted in search of a mutual core, but the continents didn’t align. As new rock formations spanned the distance, the divide remained. Their magnetic fields wavered—drawn close, yet skewed off course.
 
And eruptions disturbed the stagnation, the magma of their discontent reshaping the landscape.
 
From the Atlantic ridge, Isadora can only glimpse the tip of a crag surrounded by murky waters, mist filling the air. Chirping warblers peck at her chest—out-of-tune memories. It aches. Her skin splits; warblers burrow into her heart. She cups the wound to contain the pain.
 
One day, Isadora splays her fingers to peek through the gap between her breasts. She sees the other side of the Eurasian plate, where her friend lives. Green hills and dense forests have grown there. And then she spots her friend—she bears a similar hole in her thorax. There’s no bird there. Only an abandoned nest.

* * *

Mathieu Parsy is a Canadian writer who grew up on the French Riviera and now lives in Toronto, where he works in the travel industry. His writing has been featured in FEED, Panoply, and Brilliant Flash Fiction.
Instagram: @mathieu_parsy.

by Nissa Harlow

She died. But her soul didn’t leave her body like it should have.

Maybe it figured the old graveyard, full yet forgotten, was a good place to spend eternity.

So it stayed, clothing her bones, keeping the flesh company as time melted it slowly away.

The camera lies abandoned at her side, images of headstones captured in pixels within. She didn’t take a photo of the stone that caught her heel, nor the one that now stands guard at her head, its age-blunted corner smeared with blood.

When they find her bones, someone will take a picture. It seems fitting.

* * *

​Nissa Harlow lives in British Columbia, Canada where she dreams up strange stories and writes some of them down. Her short fiction has been published in Weird Lit Magazine and 50-Word Stories. You can find her online at nissaharlow.com.