by Thomas J. Misuraca

Footsteps upstairs. Reminding me of my old apartment living days.

The upstairs residence switched renters quicker than the leases allowed. No matter how well I knew my upstairs neighbors, I heard them more than I saw them. 

Edna, the little old French lady, woke up with the sun every morning and stomped over my head as if she were a charging rhino. She dropped things constantly, scaring the life out of me with the sudden crashing on my head.

Gil, the large Latino, had a softer step. Most days I heard nothing of him, but at night, he paced the floor endlessly. 

The one guy I never met was a night owl. I heard him running around his bedroom as I was about to fall asleep. Then a second set of footsteps joined him until they transformed into bed springs squeaking. 

Footsteps upstairs. A whole other life I could only imagine from their sound. 
​
Footsteps upstairs. I counted the days until I no longer had to hear them.

As I awake in my new home to the sound of thunderous footsteps, I remember…

Nobody lives above me. 

* * *

​Tom Misuraca has had over 150 short stories and two novels published. He was nominated for a Pushcart Prize in 2021. He’s also a multi-award winning playwright with over 150 short plays and 13 full-lengths produced globally.

by Ed Ahern

Years ago, hunting deer in a forest, I stumbled onto an abandoned farmstead. There were no traces of roads or pathways into the site, no wood or glass or iron. Just the stone cairn of a chimney, and tumbled rock fences, strewn by trees. Connecticut is stoney soil, the clearing and stacking would have been the labor of years.

A chill, soft rain was falling, birds and animals were silent and still. The smell was of sodden leaves and the mold of rotted trees. As I moved cemetery-slowly through the grounds, I wanted to put a name to the ruined labor—the someone or other house, the something or other farm. But there were only age scattered rocks.

And there, where I thought a sitting room might have been, was a neatly stacked cairn, three feet high, that weathering could not have accomplished. A body perhaps, or a keepsake interred at the home it belonged to.

I propped my rifle against a sapling and lifted off the cap stone, intending to burrow down to discovery. And hesitated. And put it back. Undisturbed. What I imagined was more than I could discover, more than I could unearth.
​
I moved on, the farmstead undisturbed and unrecorded. And have long since forgotten its location.

* * *

Ed Ahern resumed writing after forty odd years in foreign intelligence and international sales. He’s had about 500 stories and poems published so far, and ten books. Ed works the other side of writing at Bewildering Stories where he manages a posse of seven review editors, and as lead editor at Scribes Micro.

by Gabriella Brand

Melissa cut her hair, preemptively. The bathroom floor looked like two gray cats had been fighting, tearing out each other’s fur. The cut hair curled around the base of the toilet and stuck to the porcelain. She would clean it later. Or maybe not.

When she looked in the mirror, she told herself not to cry. It was better this way, rather than waiting for the portal, and the drip, and the nausea. 

When John came home, he stared at Melissa in the same way he had when she had told him she was pregnant, thirty years before. As if an asteroid had hit the earth. But, once again, he regained his composure and once again, he said, “Hmmm… that’s amazing.”

He did not tell her that she looked pretty, because she didn’t. And John was nothing if not honest. 

He did not tell her that it would grow back, as he had once told their toddler who had gotten adventurous with scissors.

He did not tell Melissa that he loved her just as she was, because she already knew.
​
But he said nothing of real comfort, either.

The person who made her feel a little better was an acquaintance in her book group.

“You look like Pema Chodron, you know, the nun?”

Melissa nodded and ran her fingers over her stubble, suddenly feeling more tender towards herself. More charitable. More inclined to breathe.

She wondered if Pema Chodron had ever been a mendicant, wandering around asking for alms. Probably not.

She had heard that the traditional Buddhist way to beg was to just wait. Not ask. Not plead. Not bargain. Not cajole. Not pray. Just wait.

So when no one was looking, she made the shape of a bowl with her fingers and began waiting.


* * *

Gabriella Brand’s fiction, poetry and essays have appeared in such publications as The Citron Review, Vita Poetica, Shiuli (India) and Room. She is a Pushcart Prize nominee. Gabriella teaches French and writing in the OLLI program at the University of Connecticut. 

by Jeffery Johnson

I retired six years ago, and in a fit of perceived liberation, I discarded all my dress clothes. I’d live the rest of my days in jeans, shorts, and sandals. I was at a sartorial disadvantage, therefore, when I got the news.

Jonathan Francis Glidden’s wife, Danielle, called with the news that about five thousand steps into his daily stroll, he dropped over dead from a massive heart attack. “Oh, Denny, he was gone just like that,” she reported. “Would you do the eulogy? You’re the best talker in the group. It’ll be next Thursday.”   

​    ~*~

Johnny had led a pretty mundane and undistinguished life. I’m sure there must have been many things that deserved recognition but damned if I knew any of them. Oh, I had plenty of funny stories to tell, but this was problematic as well. Johnny was the constant butt of our collective jokes growing up. How could I tell any of the narratives immediately coming to mind without making him look like a fool or an idiot?

He never had a prestigious career, But being a father was his forte. His son and daughter flat-out adored him. They each recounted times when he had been loving, generous, and wise. So, I was able to come up with a fine little speech that paid tribute and even got a couple of good laughs.

Oh, lest I forget. I looked pretty damn good too. After a careful survey of my closet, it was clear that I needed to start from scratch. Dress shoes, shirts that really fit, and a lovely grey suit were in order. It was a thousand or so bucks well spent.

I kind of suspected that I’d reached that point in life where I’d need the ensemble again.

* * *

​Jeffery Johnson is a retired professor of philosophy and an aspiring mystery and short story writer.

by Chip Houser

We are the occupants of the village you created, the village you abandoned. We are here because of you, but we are not yours. We are not your property or your prisoners, your mistakes or your consequences, your problems or your solutions. We are all of these things, and not. We are here because of you, but we are not here for you.

We are the street cobbles, heel-polished and moss-ringed. We are the cats, languid wanderers, sprawling on sun-warmed stoops. We are the dry leaves skipping along empty streets.

We are the rocks cleared from surrounding fields, set into walls. We are the mice, eyes shining in the damp shadow of a broken terracotta pot. We are the grapevines climbing the tower, roots grasping plaster.

We are the brick archways, mortar receding like gums from the pocked teeth of our inverted smiles. We are the lizards, darting out of sight. We are the lichen blooming across clay roof tiles.

We are the empty windows, the sagging doors, the crumbling defensive walls. We are the wild boar, foraging for pomegranate and fig in overgrown gardens. We are the pines, stretching for more light.
​
We are not your village, we are ourselves, and we are all each other. We are the village now, together, and we have grown beyond your reach.

* * *

Chip Houser's short fiction has appeared in Pulp Literature, Bourbon Penn, Every Day Fiction, and elsewhere. Red Bird Chapbooks published a collection of his very short fiction in 2023 called “Dark Morsels.” 

by Miranda Ray

He started out growing matchbooks in his backyard when he was ten. Every year, and every subsequent science fair, his craft evolved until he was growing birdhouses, doghouses, toolsheds, and drive-through espresso stands. By the time he turned twenty, he could seed the earth with a shingle, a doorknob, an unbitted key, and grow a one-bedroom one-bath house complete with an antique claw foot tub.

The houses gestated in two weeks, and could be moved into by the third. In six months, he had single-handedly solved the homelessness problem on all six habitable continents. The middle class moved out of suburbia in droves, trading Venetian blinds for venation wallpaper, electricity and wind power for chloroplasts and photosynthesis.

He was the youngest living recipient of the Nobel Prize, and went on several well-documented dates with many well-received actresses. He was invited to demonstrate at TED Talks, and was the keynote speaker at the New Earth Summit. In autumn, when houses around the world were just starting to change their colors, he delivered a rousing commencement speech at the University of Oxford and unveiled an orchard of new dormitories. Amid rapturous applause, a lone student put her hand up and asked:

"So what's the plan for when the roofs fall off in winter?"

* * *

Miranda was raised on a small island in the Pacific Northwest. She is the author of Lustily Ever After, the first erotic audiobook musical for adults. Visit her online at www.mirandaray.com, or find her @dammitmiranda on Instagram.

by Cheryl Snell

I was selling raffle tickets but he knew a long-shot when he saw one. Told me he was a cook and right off the bat invited me in for his homemade soup. “So you’re the literal girl next door,” he mused as he brought the steaming bowls to the table. “That’s what we should tell people.”

“Who would we tell?” I said. He was getting way ahead of himself, but the next Friday we went out to dinner. “I listen to the scuttlebutt from the kitchen,” he said, hand partly-covering his mouth. On a whim, I pulled his hand down and kissed it. He was so rattled he could barely demystify the ingredients in the dishes on our table.

The next time I saw him, he had recovered from my gesture and his shyness. We were in his kitchen making dumplings. As he shook the packet of rice-and-lentil powder into a bowl, stirring in yogurt, he said, “This shortcut will have no bearing on the taste.” We held hands and kissed a little as we waited for the mixture to ferment. When he dropped the batter into perforated cups, I watched it puff into snowballs. The sight made me think of the coconut Snowballs my ex liked to stuff in my mouth, practicing for our wedding.

I must have made a face because my host raised his eyebrows before he went back to chopping mint, onion, and cilantro for the dipping sauce. “Spices are the friend of physicians as well as the pride of cooks,” he said, as if he knew something about me I didn’t. And when I took one perfect white ball from his fingers, I remembered that deaf people imagine the sun makes noise as it rises. I bit into the round sphere, and listened.

* * *
​
Cheryl Snell's books include poetry and fiction of all sizes. Her work has or will appear in Blink-Ink, Roi Faineant, Switch, and Does it Have Pockets?      

by Ani Banerjee

The fan overhead makes a creaky sound; somewhere, a dog howls, and from downstairs, Baba coughs. The couple toss and turn in bed and he says, "Let's go to the roof."
 
Under the stars, their bodies meet, sweat dripping salty over her, both breathless, air thick as mango pulp.
 
“Like dipping in the Ganges,” she jokes.
 
“Next year, we should get some air conditioning,” he says. 
 
“Or we could just hop on a cloud and go to the mountains,” she replies, and he laughs.
 
Below, on the street, four flights down, the night watchman stomps his cane and asks, “Everything ok?”
 
On cue, from downstairs, his ninety-year-old Baba calls out to her, the disposable daughter-in-law, “Munni, water, water.”
 
She says, “Coming, Baba,” but she can’t get up; her saree is crumpled and wet and tangled. As her feet keep slipping beneath her, she clings to the railing, but like old houses do, it groans and the railing gives way.

​* * *

Ani Banerjee is a retiring lawyer and an emerging writer from Houston, Texas. Her flash fiction has been published in Lost Balloon, Janus Literary, Dribble Drabble Magazine and others. 

by Gabbi Grey

​She leads me down a dark alley. The smell of urine overwhelms, but I’m focused on her. She squeezes my hand, undoubtedly sensing my apprehension. I’ve never been to this side of town.

Rumors abound about it. Stories are shared. Whispered.

The door says Employees Only, but she pounds. The sound reverberates off the walls.

I cringe. I trust her with my life. But will this venture cost me that life? The promise, though. The lure of salvation. Of redemption. Too powerful to resist.

As the door swings open, a little man is revealed, his white pasty skin a direct contrast to my dark.

I hesitate, but she pushes me inside to follow the creature of the night. I straddle the chair he points to. My breasts squish against the cold padding.

She sits next to me, pressing a kiss to my temple.

I bare my back and the man fires up the ink gun. The pain is excruciating, but less than the fire that caused the burns. She whispers in my ear. How she loves me. How brave I am. How she doesn’t care about the scars.

I’d bear a thousand more to hear those words from her. I’d enter a thousand more burning buildings to save a wretched and ungrateful feline if she would hold me.

Magic ink.

A promise I didn’t believe.

The pain is transforming. The ink is taking hold. Tightened skin loosens. I feel my scars disappearing. Fading into nothing, replaced by beautiful ink. Healing ink.

For her I will do anything. To bask in her love, I will endure anything. And this particular anything is working. Is curative. Is transmuting.

The gun is silenced, and he wipes off drops of my blood.

She tilts my head and kisses me deeply.

Passionately.
​
Promising an eternity.

***

Gabbi Grey, a USA Today Bestselling author from British Columbia, dedicates herself to her fur babies and manages a government job while writing LGBTQ-focused contemporary romances. She also writes m/f romances as Gabbi Black and Gabbi Powell.