by Louella Lester

No one lives above us, but there is a woman who is part of the refugee family that lives across the hall. When she is there alone her screams sometimes escape. Slide right under our door where they wait for translation.

* * *

Louella Lester is a writer/photographer in Winnipeg, Canada, author of Glass Bricks, contributing editor at NFFR, and is included in Best Microfiction 2024.
​Instagram: @louellalester  
Bluesky: @louellalester.bsky.social    

by Christy Hartman

I grate a teaspoon of nutmeg into the bowl; preparing Finn’s favourite cake is a rare reprieve from my burden. Winter-fever picks off more villagers daily, snuffing them like Mass candles after the Saints are beseeched. 
 
My throat is raw, eyes red-rimmed from hours wailing for wee Orla Murphy. Finn had slouched on the cottage’s porch with the other men. Futility and grief hung thick in the air. The women inside met my keening with their own cries. My vigil only ceased when the child’s spirit drifted through the open window. I retreated to my home, hidden beyond the mist.
 
I’m reaching into the oven when despair’s veil descends again. I shrug on my cloak and succumb to the pull, wild hair flowing behind me, untamed as the river that dragged me under, sealing my fate. Back then I was Clodagh, devoted fiancé; now I am only Banshee. 
 
I feel his essence fading as I approach the cabin, his fear twisting into me. Fever radiates through the open door. My should-have-been mother-in-law kneels at Finn’s bedside. I writhe above the cabin; my guttural screams shake the walls. When his tortured body finally succumbs, his soul soars past. I give chase, crying out as he slips from view, into the fog shrouding the moor. 
 
Cloves and cinnamon scent the air around my house. I pause at the window. Finn is there. My Finn. I weep with self-serving relief. Crossing the threshold, I am eternally reunited with my love.

* * *

Christy Hartman pens short fiction from her home between the ocean and mountains of Vancouver Island Canada. She writes about the chasm between love and loss and picking out the morsels of magic in life’s quiet moments.

by Beth Sherman

​I wake one morning, after uneasy dreams, to find myself transformed into a lesser, long-nosed bat. Nights, I hang upside down in your attic or flit through your garden, lapping nectar from bee balm. Endangered. Despised. With my pointy ears, short tail and brown fur, I look harmless enough, like a chipmunk with wings. I can fly now, hitching a ride on the wind’s back, somersaulting through clouds. My hearing has improved. Sound waves determine your exact location: office, park, bar. I know the name of each girl you bed, each lovely lie you tell. Try to get rid of me. Try. I dare you. Plant mothballs in the eaves. Lay your sticky traps. Plug holes in the roof. I am your shadow now, black as an evening glove, translucent as spilled moonlight. While you sleep, I aim for your hair, my fangs tickling your eyebrows.

* * *

​Beth Sherman’s writing has been published in more than 100 literary journals, including 100 Word Story, Fictive Dream, Tiny Molecules and Bending Genres. Her work is featured in Best Microfiction 2024 and she can be reached @bsherm36 on Instagram, Blusky, or X.

by Marcelo Medone

Flavius hurried towards the two-masted vessel that had just docked.
His friend Titus came down the ramp and they embraced.
“How was the trip? Did you have good weather?” asked Flavius.
“Better than here, for sure,” answered Titus, observing the leaden sky.
That night, burning ashes rained down on Pompeii.

* * *

Marcelo Medone (Buenos Aires, Argentina) is a Pushcart Prize and Best Small Fictions nominee fiction writer, poet, essayist and screenwriter. He received numerous awards and was published in more than 50 countries, including Canada. He currently lives in Montevideo, Uruguay.

by Nissa Harlow

She died. But her soul didn’t leave her body like it should have.

Maybe it figured the old graveyard, full yet forgotten, was a good place to spend eternity.

So it stayed, clothing her bones, keeping the flesh company as time melted it slowly away.

The camera lies abandoned at her side, images of headstones captured in pixels within. She didn’t take a photo of the stone that caught her heel, nor the one that now stands guard at her head, its age-blunted corner smeared with blood.

When they find her bones, someone will take a picture. It seems fitting.

* * *

​Nissa Harlow lives in British Columbia, Canada where she dreams up strange stories and writes some of them down. Her short fiction has been published in Weird Lit Magazine and 50-Word Stories. You can find her online at nissaharlow.com.

by Thomas J. Misuraca

Footsteps upstairs. Reminding me of my old apartment living days.

The upstairs residence switched renters quicker than the leases allowed. No matter how well I knew my upstairs neighbors, I heard them more than I saw them. 

Edna, the little old French lady, woke up with the sun every morning and stomped over my head as if she were a charging rhino. She dropped things constantly, scaring the life out of me with the sudden crashing on my head.

Gil, the large Latino, had a softer step. Most days I heard nothing of him, but at night, he paced the floor endlessly. 

The one guy I never met was a night owl. I heard him running around his bedroom as I was about to fall asleep. Then a second set of footsteps joined him until they transformed into bed springs squeaking. 

Footsteps upstairs. A whole other life I could only imagine from their sound. 
​
Footsteps upstairs. I counted the days until I no longer had to hear them.

As I awake in my new home to the sound of thunderous footsteps, I remember…

Nobody lives above me. 

* * *

​Tom Misuraca has had over 150 short stories and two novels published. He was nominated for a Pushcart Prize in 2021. He’s also a multi-award winning playwright with over 150 short plays and 13 full-lengths produced globally.

by Lisa Lahey

We don’t act like them, the xenophobes
and kinemortophobes,
each of us with a peculiar
look and a lamentable odour.
We’d love to run among the blue green grass
on frozen glass mountains,
with the cannibals
and their turquoise camels.
There is the one who sheds her skin 
every birthday so she can grow
while the skin melts into the ground.
There is another whose eyes
are moonlit lasers that x-ray every bone
and dream in a demon’s head.
You fear us all, that’s why we stay hidden.
It isn’t fair, shetani,
but what is?

* * *

Lisa Lahey's short stories and poetry have been published in 34th Parallel Magazine, Five on the Fifth, Bindweed Anthology, Spadina Literary Review, Vita Poetica, Ariel Chart Review, VerbalArt Journal, and Altered Reality.

by Sarah Das Gupta

Witches steal the milk from cattle,
shapeshift into brown hares.
In the hidden witches’ garden
grow pink foxglove fingers,
yellow clumps of spindly ragwort,
deadly to man or beast.
Witches ride in the Wild Hunt
high in inky darkness,
they form dark silhouettes
across the face of the harvest moon.
In elder trees they hide,
under the spiked blackthorn,
among monkshood and aconitum,
mixing strange concoctions,
bringing certain death and gloom.
Yellow and red flames
consumed them once.
Yet in the darkness of the pinewood,
in that other land under the hill,
they survive, to curse and cure us still.

* * *

Sarah Das Gupta is a slowly emerging poet from Cambridge, UK who started writing a year ago when her mobility became limited to 20 metres. Her work has been published in over 20 countries and she has been nominated this year for Best of the Net and a Dwarf Star award.

by Lucy Barker

I watch you enter. Sunlight penetrates the stained-glass, suffusing your pale cheek.
Once, from that  pulpit, the Reverend Swales preached forgiveness, his gimlet eyes resting upon me; the sinner of his flock.

I reach out. I have come too close. Startled, you flee towards the headstones encircling those weathered walls. My empty, unmarked grave lies beyond; above the wind-buffeted waves raging far below.

He waits for you by the lych gate.

With venomous whispers I bid you not to go.
​
Convinced it is merely the rustling of trees, you rush inexorably towards him; oblivious of my pursuing shadow.

* * *

Lucy is a retired tutor living on the beautiful South Coast of England, which inspires much of her work. For some strange reason she is fascinated by the eerie and macabre, but that’s another story!

by Lorette C. Luzajic

The seagrass, like woodcut lines zigzagging across the dark water. Rippling cords all tangled in the shallows like some kind of labyrinth. The soft moon illuminates a hushed halo over her brow. Sometimes she wails for her drowned child and the eerie sound fills up the whole world. Sometimes there is mere silence. No wind, no waves. I crawled off of the same shore, the epigenetic trauma of hate and war. Want spun through and through my story. Like a ghost, I wandered after her, needy and damaged and desperate, tugging at her silk nightgown, begging her to see me. 

* * *
​
Lorette C. Luzajic reads, writes, edits, publishes, and teaches flash fiction and prose poetry. She is the founding editor of The Ekphrastic Review and The Mackinaw.