by Louella Lester No one lives above us, but there is a woman who is part of the refugee family that lives across the hall. When she is there alone her screams sometimes escape. Slide right under our door where they wait for translation. * * * Louella Lester is a writer/photographer in Winnipeg, Canada, author of Glass Bricks, contributing editor at NFFR, and is included in Best Microfiction 2024. Instagram: @louellalester Bluesky: @louellalester.bsky.social
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by Bernard Pearson In the cradle Of our last night, When all things hang In the balance of time Will we see, really see? The world that dies with us, or the one that has waited So patiently, for our return. * * * BERNARD PEARSON: His work appears in over one hundred and thirty publications worldwide, including; Aesthetica Magazine, The Edinburgh Review, and Crossways. In 2017 a selection of his poetry, In Free Fall, was published by Leaf by Leaf Press. by Karen Schauber We hug the coastline, the water lipping and lapping, squeezing us against the scrub brush and pink granite boulders. Sophie stomps her feet in plops of seafoam eddying in tide pools. We let her play. So much has been lost. But not this. Her innocence glinting in the sunlight, giggles clutching our heartbeats. We safeguard this last remnant, this singular, unsullied, untarnished, vestige. Otherwise, what is it all for. Trudging at night beneath ribbons of greenish-blue light, the auroras coxswaining us toward safety in the northern hinterlands. We press ahead. Agents two days behind at most. Our precious cargo intact. * * * Karen Schauber’s flash fiction appears in over 100 international journals, magazines, and anthologies with nominations for the Pushcart Prize, Best Small Fictions, Best Microfiction and the Wigleaf Top 50. Schauber curates Vancouver Flash Fiction – an online resource hub. Read her at: https://KarenSchauberCreative.weebly.com by Paul Lewthwaite I taught mathematics, but dabbled with him. When the affair ended, no formula could encapsulate his rage. The police were useless. I withdrew from life; silent anger bubbled in my shell of shame. A year later, I tracked him down. Subtracting guilt, an equation arose that I could solve. Fatally. * * * Paul is a retired physician living in Scotland with his wife and a small, but all-powerful cat. Occasionally he writes stories, some even get published. Paul's fledgling (and sadly neglected!) website can be found at When Can I Call Myself a Writer? by Veronica L. Lorena took a sip of wine. The intense ruby red, tending towards garnet, reflected the terracotta tones of the Roman sunset. For the first time, she admired that sunset alone, surrounded by a scene still capable of moving her. Rome, her adopted city, for two decades the stage of stolen kisses under the Colosseum. Rome, a silent witness to many nights of love under a generous moon. Slow rhythms, a comfortable life, built brick by brick. Those same bricks that had gradually ceased to be the sign of solid foundations and had become an imposing wall between her and her husband. An overwhelming gap for those who can no longer see themselves in the other’s eyes. * * * Veronica L. is an Italy-based writer with a PhD in Iberian and Ibero-American Languages and Literatures. She has authored several non-fiction books, some published in English by Anglo-Saxon presses, along with works of fiction. Her short story The Poor Copy appeared in Adelaide Literary Magazine (No. 73, February 2025). another birthday, the open road still calls but not as loud * my good friend Bill drinks wine from a coffee mug, that says it all by Charles Rossiter # # # spirits of the dead return for one day i set my chinaware * mismatched in height & weight we both take 3 sugars in our coffee by Kyle Hemmings About The Poets: Charles Rossiter has served as associate editor of Modern Haiku under Bob Spiess. With Jeff Winke he co-edited the Third Coast Haiku Anthology, one of the earliest U.S. haiku anthologies. He lives and writes in Bennington, VT. Kyle Hemmings has work published in Is/let, Bones, 2021 Best Flash Fictions, and elsewhere. He likes 50s sci-movies and 60s garage bands. His favorite groups of all time are love and Spirit. He loves his bicycle that he names Alice. by Anne Howkins Sea and sky are indecipherable—at night there’s a moonlit line that might be the horizon. Sometimes the flood laps at the weather girl’s bedroom window, seductively shush-shushing that it means no harm. Sometimes it growls the anguish of the drowned. Without power or paper, the weather girl records her observations in knots. She’s ransacked the house, harvesting anything that can be unravelled, combed, spun, twisted, until every surface is strewn with something like rope, and the wardrobes and cupboards gape empty. She’s woven and knotted pressure, windspeed and rainfall into whirligig clusters. Her fingers weep blood as the malevolent sky mocks her furious recording. On days when the heavens are silver, not cast iron, when the winds are gentle, yet deviously warm, she allows the ropes to divide. She threads them with rings, necklaces, beads and buttons, treasured memories marking love she hopes isn’t lost. When the barometer falls, again, again, and the house begins moaning, she plaits the strands back together, securing everything precious. She weaves her own undoing into the tapestries, until her limbs feel empty, ready to hold something again, hold her husband again. At night she wraps herself in her knotted yarns, caressing, letting her fingers explore the chasms she’s seen, she’s created. Sometimes she burrows her nails deep, finds the day her husband left. When her fingers stroke the remnants of love, her heart untethers, her lungs loosen and she weeps, letting the rhythm of the endlessly cruel rain rattling the roof rock her back and forth. She leaves on a night when the moonlit line is more than a dream. She spools ropes into a sail, launches herself towards the east, hoping her forecast is accurate and the grasping hands of the drowned keep to themselves. Hoping there is something dry out there. * * * Anne loves the challenge of telling stories in very few words. Her stories have appeared in print and online at WestWord, Flash 500, Reflex Fiction, Flash Fiction Magazine, National Flash Fiction Day, Lunate, Strands International and Bath Flash Fiction. by Tim Love He tried to catch her eye across the room. Maybe he imagined that she smiled back, but it was enough for him to start talking to her. "Can you still hear me?" he asks forty years later, sitting by the bed. "Smile for me, that's all I need. One smile." * * * Tim Love’s publications are a poetry pamphlet “Moving Parts” (HappenStance) and a story collection "By all means" (Nine Arches Press). He lives in Cambridge, UK. His prose has appeared in The Forge, Stand, JMWW, Under the Radar, etc. He blogs at http://litrefs.blogspot.com/ |
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