by Moira Richardson

Do you remember picking black raspberries, staining our fingers with their juice, laughing in the sunshine? Your hair like diamonds, lips stained red. Your hand on the small of my back. The way the brambles scratched our skin. 

​You’d run your thumb along my lip, kissed away my tears when I confessed what I had done. You’d never stop loving me, you’d said. 
​
I’d believed you. 
​
But the next summer, when I drove my old truck along the cowpath to the back of your family’s property, our secret berry patch was gone, all that remained a burnt patch of earth.

* * *

MOIRA RICHARDSON lives near Pittsburgh, Pennsylvania with her partner and three grumpy cats. She’s been published by Rat Bag Lit, Dragon Tomes Publishing, ELA Literary magazine, and The Writer’s Workout, among others. 

by Emma Phillips

We’re astronauts, floating. I’m the stronger swimmer. Hey, you say, it’s as if we could reach out and pocket the Earth. Like a marble, like God. I grin at the contrast in colors. Every single star feels like mine.

There’s unexpected joy in weightlessness. You release a cape from my hospital gown, pull back your hands and make superhero arms. Out here, constellations are strung to fairy lights. Where are we going? you mouth. I shrug. In recovery, gravity will do its work. Enjoy, I whisper. It’s a long way down.

* * *

EMMA PHILLIPS lives by the M5 in Devon, which sometimes lures her away in search of adventure. Her words appear in print and online, and have placed in competitions such as the Bath Flash Award and NFFD Microfiction Competition.

by Alastair Millar

We married young and uncertainly, seeking security in a time of portents—when storms, wildfires and UFO sightings made the future precarious and frightening. Then we weathered the natural disasters, inevitable conspiracy theories, and First Contact; turned out that those were the challenges that would really bring us together.

* * *

ALASTAIR MILLAR lives in the Czech Republic, and enjoys good books, bad puns, coffee and travelling. His flash science fiction collection ‘Mars & More’ was published in 2024. Find his social & other links at: https://linktr.ee/alastairmillar

by Moira Richardson

My calves burned like fire, my hair streaming behind me in the wind of my own creation. For the first time in a long time, I felt free.

You’d wrapped me in bubble wrap like a precious heirloom, but my lungs needed crisp fall air and hints of bonfire smoke. I dreamed of sunshine park benches with bayside views. I wanted to follow the bike path to its natural conclusion, the way our love had reached a breaking point.

But I knew I’d turn back, return to our apartment, my cheeks flushed with life, and let you make me tea.

* * *

MOIRA RICHARDSON lives near Pittsburgh, Pennsylvania with her partner and three grumpy cats. She’s been published by Rat Bag Lit, Dragon Tomes Publishing, ELA Literary magazine, and The Writer’s Workout, among others. 

by Joshua Walker

I wake before dawn,
the quiet pressing against my chest.
I make coffee the way I always do,
sugar measured by habit.
Light moves across the kitchen
without stopping.
My son murmurs.
My daughter shifts beside him,
hands closing around the blanket.
I fold the laundry I meant
to fold yesterday,
shirts,  socks
returning to their places.
A note on the counter
from last week’s goodbye
waits where I left it.
I read it aloud.
Evening gathers slowly
in the living room.
I sit with it.
Some days healing is quiet.
Breath leaves.
Breath returns.

* * *

JOSHUA WALKER is a poet based in Oklahoma City. His work has appeared in Potomac Review, Southern Florida Poetry Journal, Solarpunk Magazine, and elsewhere. He writes about language, memory, and the quiet architecture of ordinary life.

by Jim Harrington

She'd been young, brash, married to a banker, an older man. Happiness didn't matter. Money and prestige did. That's what her mother had preached unceasingly. Now, withdrawn, widowed, childless, and nearly broke, she stared out the cracked window in the direction of a rotted oak, happiness still an unachievable feeling.

* * *

JIM HARRINGTON lives in Huntersville, NC, with his wife and two dogs. His stories have appeared in Flash Fiction Magazine, Free Flash Fiction, Short-Story.me, and others. More of his works can be found at https://jpharrington.blogspot.com.

by Liz deBeer

When an Adirondacks Park Campsite sign flashes past our station wagon, Daddy says, “Used to hike there with my pals.” Pauses. “Some never returned home from the war.” I inch closer, wondering but quiet. Later, we park and paddle to Lake George’s center, imagining catching bass, perch, trout. Daddy’s line jerks. He yanks, hoping-hoping-hoping. Too small. Then my line trembles, tugs. Daddy’s hands steady mine; we reel in together. Another loop of maybes, but—not a keeper either. Paddling back, me in the bow, him in the stern, we glide together, holding something that won’t fit into our empty cooler.

***

LIZ DEBEER is a teacher and writer with Project Write Now, a writing cooperative. Her flash has appeared in BULL, Fictive Dream, Switch and others. She is a volunteer reader at Flash Fiction Magazine. You can also follow Liz on Substack.

by Suzanne Hicks

Everyone’s chatting and forking lunch into their mouths, but I can’t take my eyes off the fish tank behind the bar, remembering the lake back home, watching hooks pulled from jaws, mouths gaping, gills pumping to breathe, smelling that lake water no matter the distance I put between us. If only I could plunge into the tank, gather all the fish in my arms, take them to salty, open waters. But I know they’d suffocate before I could find a place where they could feel what it’s like to swim free.

* * *

SUZANNE HICKS is a disabled writer living with multiple sclerosis. Her work has appeared in matchbook, Gooseberry Pie, Milk Candy Review, and others. Her stories have been selected for Best Microfiction and the Wigleaf Longlist. Read more at suzannehickswrites.com.

 @iamagnat.bsky.socialby Clodagh O Connor

My child is an unsolved equation. Doctors try to figure him out, cancelling out known factors until only his difference remains.

My child is a statistic. Normal children can’t help but be mean—it is their nature. He finds himself far from the centre, hiding in the long tail almost disappearing to nothing.

My child is not the problem. Why should he integrate himself into our way of thinking?  He must find his own solution, and I will be here to balance things out.

* * *

CLODAGH O CONNOR lives in Dublin, Ireland, and is working on becoming a writer. She particularly enjoys the challenges of tiny fiction. She can be found on Bluesky at @iamagnat.bsky.social.

Michael Roberts

As I drove her to the doctor’s office, my grandmother said, “it’s disorienting this business of getting old, all these aches and ailments, fuss and trouble, and thinking you’re 16 until you pass by a mirror.” I was 16 and nodded like I understood. Now 74, I’ve had an epiphany.

* * *

MICHAEL ROBERTS is a retiree enjoying life and good writing, and writing good, even if bad.

by Anne Howkins

maybe I wouldn’t have learnt the correct way to look at a painting. Think light and shadow, see the humility, the vulnerability, but here I am, in front of Rembrandt’s Night Watch, and yes, I see it, the chaos, the girl looking at the powerful, red-sashed man, I get it.  

Now you’ve slinked away like a guttering flame, I’d like to say thank you for all those times you pointed out what Constable, or Turner, or Cezanne had hidden in the shadows. For all those times you talked about the building of layer upon layer on an empty canvas—the way those layers became scumbled, burying what lay beneath. For all those times you stood with me, directing me to the source of light, to trace its delicate illumination of a lace collar, its cruel glare on an old woman’s wrinkles. For all those times you talked about colour; Vermeer’s miring himself in debt to paint a girl’s headdress ultramarine, Turner’s daubed red buoy mocking Constable’s over-use of the same shade.

And I wanted to let you know, I saw you in that gallery a couple of years ago with a woman. I recognised the look on her face before I realised it was you, pointing and talking, and it was too soon for me, that day, there were too many of the layers you’d painted still to be brushed away. It was too soon for me, that day, to look at your face, to catch that familiar flash of blue eyes blazing as you lectured your entranced companion, and just a glimpse of a faded red scarf was enough to send me trembling out onto the street.

But if you were here now, I’d just say that Rembrandt chose to shine his light on the girl, and she’s glowing. 

* * *

ANNE HOWKINS' little stories have appeared at WestWord, Flash 500, Free Flash Fiction, NFFD, Cranked Anvil, The Hoolets Nook and TrashCatLit. Anne also looks after the finances of a charity, walks and spends time with her adored grandson. 
Bluesky @anneh23.bsky.social

by Fatimah Akanbi

​​A crumpled paper landed at your feet, and you hoped it would be a letter telling you how she had always loved you—like you had always loved her. Or how she always thought about you in those dreadful holidays between semesters, like you always thought about her. Or maybe how she would scribble your name on the mirror every morning, the way you would always scribble hers. But when you opened it, you only found wrong math workings she tore out of her notebook. She was going to throw it in the bin, and you just got in the way.

​* * *

FATIMAH AKANBI writes fiction and poetry. She has been writing since she was five, and is currently pursuing a degree in Information Technology at the University of Ilorin. She is @legendary.scribe on Instagram. 

by Claire Kroening

Today, burnt coffee clung 
to the back of 
my throat. A bitter 
epilogue of your 
sweetness.
Today, tears patter 
into empty china 
cups; moon-drenched 
lyrics shakily 
forgotten. Today is a 
reminder of our last.

* * *

CLAIRE KROENING is an award-winning writer and freelance editor/proofreader residing along the great lakes. Connect with them on Instagram @clairerosek. 

by Suzie Pearson

Emptied.
Standing as a monument to
      every discount,
      every sale,
      every closing down event,
      “everything must go”.
Packets, unopened, aged with neglect.
Boxes remain sealed.
A forgotten moment of need.
Duplicates waiting in the depths of shelves.
A reminder of what was lost.

* * *

SUZIE PEARSON’s poetry has been published in Whispered Words (Writer Shed Press, 2024), as well various online magazines. She's also received a highly commended in Wolverhampton Literary Festival Poetry competition and appeared at WoLF 2025, and participated in both Ironbridge & Shrewsbury Poetry Slams 2025. Find her at @wordsfromanotebook  and www.wordsfromanotebook.com 

by Bart Edelman

Hadn’t walked the plank
In a number of years.
Never planned on it again.
But when you showed up,
I dispensed with my shoes,
Feeling the smooth wood,
Cold beneath my feet,
Familiar step by step.
I was halfway across,
Before you called out--
Told me to abandon fate.
And I wavered, of course.
Didn’t know how to retreat.
Couldn’t envision the course.
Unsteady each moment.
Then I paced my way back,
Where you stood, open-handed,
Offering what still remained--
One pirate heart to another.

* * *

BART EDELMAN’s poetry collections include Crossing the Hackensack, The Alphabet of Love, The Gentle Man, The Last Mojito, The Geographer’s Wife, Whistling to Trick the Wind, and This Body Is Never at Rest: New and Selected Poems 1993 – 2023.