by Sarah Rodgers

Sealskin does burn, it turns out.
               
She was sleeping in our bed when I slipped away to do the deed. She didn’t know I had found the secret skin she had shed, and she never will.

I told myself I was setting her free. She wouldn’t be torn between land and sea anymore. She would be with me, fully, and neither of us would be alone. Love can look like this, right?

I didn’t know she would feel it, though. I didn’t know it hurts when you burn a selkie’s skin. Of that bit, I am innocent.

Loneliness burns, too.

* * *

SARAH RODGERS is a storyteller who lives in upstate New York with her husband and three daughters. In addition to (or perhaps due to) her passion for storytelling, she also loves movies, reading, and dancing.

by Liz deBeer

Eyes half closed, an iguana, the color of a peapod, poses in a sun patch. Oozing self-satisfaction like a Tik-Tok influencer, the reptile nods, dewlap bobbing. Phone in hand, I’m clicking when a gray blur interrupts. What the—? My gasp is met by a cat’s triumphant yellow eyes, the iguana dangling in its jaws. My instinct is to holler-scold, but I swallow my rage to reflect on Darwin. Cat has to eat too. The cat shakes the corpse, scaly tail swinging like a clock’s pendulum. Sighing, I click my phone again, capturing the iguana’s fate in the sun’s glare.

* * *

​Liz deBeer is a teacher and writer with Project Write Now, a writing cooperative. Her flash has appeared in BULL, Fictive Dream, Switch and others. She is a volunteer reader at Flash Fiction Magazine. 
​Follow Liz at www.ldebeerwriter.com and https://lizardstale.substack.com.

by Jenny Morelli

Dear Little Red, 

I understand now why you wore a hood tugged low around your head. It was to buffer your fears. I understand now why it was red. It flared with your heartbreak and despair. The edges were equally frayed from the depth of your rage.  

This was your life, your grim tale to tell, a tale that began on a snowy night when a fur-cloaked shadow howled with hunger into the wind, desperate to survive. When you approached, bearing meat from your basket, the wolf chewed and swallowed, lay her head in your lap with warmth and gratitude and a love you never knew.  

Then a crack split the snow-muffled silence and your lap grew warm with her blood-red-hooded eyes as the Huntsman ran to save you, to pull you free from the monster, but you didn’t need saving, so you shoved him away as tears drenched your fevered, red-raged cheeks.  

You ran and you ran along the beast’s beaten path to where her cowering litter lay huddled tight and you covered them all with your red-hooded cape. You lowered your frayed hood against the winds, against the savages and lived your life with a newfound purpose, with a confound hope, with a profound love. 

* * *

JENNY MORELLI is a NJ high school English teacher who lives with her husband, cat, and myriad yard pets. She’s published in several literary magazines including  Spillwords and Red Rose Thorns, and has four poetry chapbooks with Bottlecap Press. Visit her website: JennyMorelliWrites.com 

by Dustin P Brown

He couldn’t tell her how he felt; it was too mean. His grandmother had taught him to keep his mouth shut if nothing good would come out of it.

Still, he wanted to. The pilot warned of turbulence in a crackly voice. He wanted to scream at the woman, all the horrible things he couldn’t say out loud. She wasn’t real to him. She could be a void to toss bad thoughts into.

But he didn’t. Instead, he ignored her feet on the back of his plane seat, same way he’d been ignoring the lump near his scrotum. Couldn’t do it. It’s what killed his Poppa all those years ago. Oops, there’s the bump, oops now you’re in a casket covered in unflattering makeup.

He could yell all of this at the feet shoving cushion into his spine. He could do it. It was all he wanted in that moment, but he didn’t. He literally bit his tongue, chewed it up into used gum, really tapped that rage down into the pit of his stomach where it throbbed next to the lump. Then he waved off a drink-cart-pushing flight attendant.

Did death hurt? Was he just afraid of pain? No, there was more. The unknown. The same fear his grandmother would soothe in her bedroom late at night when he’d spend the night at their house as a child. The way she’d flick on a nightlight and solve all his problems in a moment. Moments can be so powerful. A diagnosis. The insistent throbbing of an impolite woman’s feet against your back. A last breath. A light in the dark.

* * *

Dustin P Brown is a Michigan-born, Spain-based author of poetry and prose. He received his BA in Creative Writing from Western Michigan University and currently works as an editor and interpreter. 
Instagram: @dpbrownwrites / BlueSky: @dpbrownwrites.bsky.social‬
Author site: https://dustinpbrown.wixsite.com/author

by Barbara Brooks

It tumbles like a torrent from the sky
soaking the ground. Drowns the newly
planted grass in a cloudburst.
 
I focus a prism on sorrow to see
if hope can be found.
 
But I can see none, only forests
razed to the ground, mountains
stripped of their tops. I notice
only the world being torn down,
dug up, burned.
 
Sorrow covers me with smog
and disease.  It forms its own glacier
that slides down to cover
my thoughts with soot and dust
from distant corners of the world.
 
In the lengthening days, I wait.
 
* * *

BARBARA BROOKS is a retired physical therapist and author of 3 chapbooks, The Catbird Sang, A Shell to Return to the Sea, Watercolors.  She is a member of PoetFools writing group. She lives in Hillsborough, NC with her dog.

by Ariel M. Goldenthal

You told me that the ocean held your family’s secrets for centuries and that the rope tethering us ashore could fray without warning. We danced along the edge of the icy water, your hand in mine, smooth rocks coarse against fresh cuts on the soles of my feet.

You said the stairs were too steep; the electrical, too old for me to be alone by the sea. You didn’t tell me you’d be the nightmare worse than the wind-scraping of oak tree branches against shutters.

Now the house keeps all my secrets and more than the remnants of your pain.   

* * *

ARIEL M. GOLDENTHAL is an associate professor of English at George Mason University. Her work has appeared in The Citron Review, Fractured Lit, Exposition Review, and others. Read more at www.arielmgoldenthal.com. 

by Angela Zimmerling

that was us

          spiked hair and black eye-liner
          plaid and chains
          our faces
          made pale with talc 

          no nukes
                     in acid rain                 
                     we raised the black flag 

         no future
         in the shadow
         of the bomb

         david bowie was our god

         we posed like dolls
         on street corners and on benches 

         searched
         for holes in the layers 
         of our sky
         while the rain-forests burned 

         wore our rage
         like broken hearts
         and cut ourselves
         on the shards
         of the earth
                             
​                      we lived
                      for the drums’ beat
                      a moment’s breath in the light
                     
         we lived to dance

* * *

ANGELA ZIMMERLING is a former journalist who works in poetry, fiction and illustration as well as in non-fiction.  She lives on a small subsistence farm with her husband and their beloved animals.

by Chris Tattersall

In days gone by, family meals were obscured by the smog of tobacco. Three generations dining together, with just a damp rasp from deep in the lungs of Pete’s father to break the silence. Everyone being passive to its significance.

In later years, Pete was exiled to the garden, whether it be the home or beer variety, to enjoy a cigarette and time with his own son.

Now head of the table, Pete was comforted by the three generations gathered. They ate in silence, only to be disturbed by his son’s cough, a damp rasp from deep inside his lungs.

* * *

CHRIS TATTERSALL is a Health Service Research Manager who lives with his wife Hayley and Border Collie in Pembrokeshire, Wales. He is a self-confessed flash fiction addict with some publication and competition success. He also hosts his own flash fiction website.

by Louella Lester

No one lives above us, but there is a woman who is part of the refugee family that lives across the hall. When she is there alone her screams sometimes escape. Slide right under our door where they wait for translation.

* * *

Louella Lester is a writer/photographer in Winnipeg, Canada, author of Glass Bricks, contributing editor at NFFR, and is included in Best Microfiction 2024.
​Instagram: @louellalester  
Bluesky: @louellalester.bsky.social    

by Paul Lewthwaite

I taught mathematics, but dabbled with him.
When the affair ended, no formula could encapsulate his rage.
The police were useless.
I withdrew from life; silent anger bubbled in my shell of shame.
A year later, I tracked him down.
Subtracting guilt, an equation arose that I could solve.
Fatally.

* * *

Paul is a retired physician living in Scotland with his wife and a small, but all-powerful cat. Occasionally he writes stories, some even get published. Paul's fledgling (and sadly neglected!) website can be found at When Can I Call Myself a Writer?

by Anne Howkins

Sea and sky are indecipherable—at night there’s a moonlit line that might be the horizon. Sometimes the flood laps at the weather girl’s bedroom window, seductively shush-shushing that it means no harm. Sometimes it growls the anguish of the drowned.

Without power or paper, the weather girl records her observations in knots. She’s ransacked the house, harvesting anything that can be unravelled, combed, spun, twisted, until every surface is strewn with something like rope, and the wardrobes and cupboards gape empty.

She’s woven and knotted pressure, windspeed and rainfall into whirligig clusters. Her fingers weep blood as the malevolent sky mocks her furious recording. On days when the heavens are silver, not cast iron, when the winds are gentle, yet deviously warm, she allows the ropes to divide. She threads them with rings, necklaces, beads and buttons, treasured memories marking love she hopes isn’t lost. When the barometer falls, again, again, and the house begins moaning, she plaits the strands back together, securing everything precious. She weaves her own undoing into the tapestries, until her limbs feel empty, ready to hold something again, hold her husband again.

At night she wraps herself in her knotted yarns, caressing, letting her fingers explore the chasms she’s seen, she’s created. Sometimes she burrows her nails deep, finds the day her husband left. When her fingers stroke the remnants of love, her heart untethers, her lungs loosen and she weeps, letting the rhythm of the endlessly cruel rain rattling the roof rock her back and forth.

She leaves on a night when the moonlit line is more than a dream. She spools ropes into a sail, launches herself towards the east, hoping her forecast is accurate and the grasping hands of the drowned keep to themselves.

Hoping there is something dry out there.

* * *

Anne loves the challenge of telling stories in very few words. Her stories have appeared in print and online at WestWord, Flash 500, Reflex Fiction, Flash Fiction Magazine, National Flash Fiction Day, Lunate, Strands International and Bath Flash Fiction.

by Christy Hartman

I grate a teaspoon of nutmeg into the bowl; preparing Finn’s favourite cake is a rare reprieve from my burden. Winter-fever picks off more villagers daily, snuffing them like Mass candles after the Saints are beseeched. 
 
My throat is raw, eyes red-rimmed from hours wailing for wee Orla Murphy. Finn had slouched on the cottage’s porch with the other men. Futility and grief hung thick in the air. The women inside met my keening with their own cries. My vigil only ceased when the child’s spirit drifted through the open window. I retreated to my home, hidden beyond the mist.
 
I’m reaching into the oven when despair’s veil descends again. I shrug on my cloak and succumb to the pull, wild hair flowing behind me, untamed as the river that dragged me under, sealing my fate. Back then I was Clodagh, devoted fiancé; now I am only Banshee. 
 
I feel his essence fading as I approach the cabin, his fear twisting into me. Fever radiates through the open door. My should-have-been mother-in-law kneels at Finn’s bedside. I writhe above the cabin; my guttural screams shake the walls. When his tortured body finally succumbs, his soul soars past. I give chase, crying out as he slips from view, into the fog shrouding the moor. 
 
Cloves and cinnamon scent the air around my house. I pause at the window. Finn is there. My Finn. I weep with self-serving relief. Crossing the threshold, I am eternally reunited with my love.

* * *

Christy Hartman pens short fiction from her home between the ocean and mountains of Vancouver Island Canada. She writes about the chasm between love and loss and picking out the morsels of magic in life’s quiet moments.

by Beth Sherman

​I wake one morning, after uneasy dreams, to find myself transformed into a lesser, long-nosed bat. Nights, I hang upside down in your attic or flit through your garden, lapping nectar from bee balm. Endangered. Despised. With my pointy ears, short tail and brown fur, I look harmless enough, like a chipmunk with wings. I can fly now, hitching a ride on the wind’s back, somersaulting through clouds. My hearing has improved. Sound waves determine your exact location: office, park, bar. I know the name of each girl you bed, each lovely lie you tell. Try to get rid of me. Try. I dare you. Plant mothballs in the eaves. Lay your sticky traps. Plug holes in the roof. I am your shadow now, black as an evening glove, translucent as spilled moonlight. While you sleep, I aim for your hair, my fangs tickling your eyebrows.

* * *

​Beth Sherman’s writing has been published in more than 100 literary journals, including 100 Word Story, Fictive Dream, Tiny Molecules and Bending Genres. Her work is featured in Best Microfiction 2024 and she can be reached @bsherm36 on Instagram, Blusky, or X.

by Marcelo Medone

Flavius hurried towards the two-masted vessel that had just docked.
His friend Titus came down the ramp and they embraced.
“How was the trip? Did you have good weather?” asked Flavius.
“Better than here, for sure,” answered Titus, observing the leaden sky.
That night, burning ashes rained down on Pompeii.

* * *

Marcelo Medone (Buenos Aires, Argentina) is a Pushcart Prize and Best Small Fictions nominee fiction writer, poet, essayist and screenwriter. He received numerous awards and was published in more than 50 countries, including Canada. He currently lives in Montevideo, Uruguay.

by Lynn White

Do you scream in tune
in muted monochromes
flat and featureless,
or are your screams
discordant

stark

black and white.
No grey.
No doubt.

A kaleidoscope
of keys and tones
of terrifying sounds

which scream out to me.

* * *

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality.
​Blogspot: Lynn White Poetry
Facebook: Lynn White Poetry