by Sophia Adamowicz

not fresh flowers, because desiccated petals never wilt, and because lopped-off buds require no water and no sun, and because, when the dried orange peel and cinnamon sticks lose their fragrance, I can lavish them with artificial sweetness, and because nothing in this house ever grew as it should, and because flowers with the suppleness of a child’s cheek remind me of the times I never wiped yours.

Let the fresh flowers remain at the field’s edge, where they may spill their seeds to the wind and never have to bear the weight of what one person owes another.

* * *

SOPHIA ADAMOWICZ is a writer and tutor based in Cambridge, UK. Her work, both fiction and nonfiction, has appeared in several publications including Cunning Folk, Crow & Cross Keys, Haven Speculative and Trash Cat Lit. Her debut novel, The Brink, releases next year.

by Karen Baumgart

Oh love, don’t apologise—I understand. It’s not you it’s me, right? I wonder, though, could you maybe just hit send sometime? Let them see you’re anxious, how it comes from a wounded place? Stop saying I think maybe when you’re sure?

​I remember how your dad would return each letter with grammatical corrections; there’s such shame behind your impeccable use of semi-colons. My darling, what I’m trying to say is: maybe it’s fine to soften an email with three exclamation points, or to sign off with a pink flower emoji. Maybe, sweet girl, your first draft is always ok.

* * *

KAREN BAUMGART lives in Australia and adores beautiful quotes, pink things, cats and chai lattes. She used to be an English teacher and is quite certain that writing is, indeed, the best therapy.
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by Bonnie Demerjian

His glinty eye,
alert for the shiny,
avid for the curious.
He’s a connoisseur of beauty
and feels no guilt.

I too am a collector— 
subjects for poems,
bright objects of delight
brought home to my nest, my desk
to sort and muse upon.

* * *

BONNIE DEMERJIAN writes from her home in the Tongass National Forest, a place that continually nourishes her writing. Her poetry has appeared in Tidal Echoes, Alaska Women Speak, Blue Heron Review and October Hill Magazine, among others.

by Diane Payne

On this particular morning, there was a light wind and plenty of sunshine, rare for early autumn. One by one, the neighbors carried their wet laundry out to hang on the clotheslines. Those that lived in upstairs apartments reeled in their clotheslines that hung above the street, singing the same song with their neighbors, harmonizing as they pinned their socks, bras, tablecloths, and underwear.

Those with small city yards engaged in lengthy conversations about what they were making for dinner, boysenberry jam recipes, and how to train your cat to do fabulous tricks.

One neighbor talked about a long-ago boyfriend who tossed his grandmother’s chamomile seeds in the garden that he later harvested for their morning tea. She lamented how she left him for the boyfriend who meticulously shaped bonsai plants, hovering over them for hours, while she knew he’d never trust her with anything, especially his bonsai, unlike the seed thrower who trusted her with everything.

“Yeah, we rarely pick the right one,” the neighbors on both sides of the lawn said while the sheets flapped in the wind simultaneously, and everyone breathed a bit more freely.

* * *

Some of DIANE PAYNE’s most recent publications include:  Cutleaf Journal, Mukoli, Miracle Monacle, Hairstreak Butterfly, Invisible City,  Best of Microfiction 2022, Another Chicago Magazine, Whale Road Review, Fourth River, Tiny Spoon, and Bending Genres.   More can be found here: dianepayne.wordpress.com