by Steven French

Although lacking a singularity at their core, boson stars are very similar to black holes in both physics and appearance. They too have immense gravity, causing light to bend around themselves, thereby creating the shadow of an event horizon, and will also trap whatever happens to venture too close. And likewise, thanks to relativistic effects, while mere years pass on the surface of such an exotic object, aeons will sweep by out beyond its tidal reach. Which, as the creature imprisoned there reflected, sadly and not for the first time, adds a whole new dimension to the understanding of loneliness. 

* * *

STEVEN FRENCH is a retired academic living in West Yorkshire, UK. His work has appeared in various places, most recently Antipodean SF, Spank the Carp, and Suburban Witchcraft.

by Sarah Rodgers

Sealskin does burn, it turns out.
               
She was sleeping in our bed when I slipped away to do the deed. She didn’t know I had found the secret skin she had shed, and she never will.

I told myself I was setting her free. She wouldn’t be torn between land and sea anymore. She would be with me, fully, and neither of us would be alone. Love can look like this, right?

I didn’t know she would feel it, though. I didn’t know it hurts when you burn a selkie’s skin. Of that bit, I am innocent.

Loneliness burns, too.

* * *

SARAH RODGERS is a storyteller who lives in upstate New York with her husband and three daughters. In addition to (or perhaps due to) her passion for storytelling, she also loves movies, reading, and dancing.

by Liz deBeer

Eyes half closed, an iguana, the color of a peapod, poses in a sun patch. Oozing self-satisfaction like a Tik-Tok influencer, the reptile nods, dewlap bobbing. Phone in hand, I’m clicking when a gray blur interrupts. What the—? My gasp is met by a cat’s triumphant yellow eyes, the iguana dangling in its jaws. My instinct is to holler-scold, but I swallow my rage to reflect on Darwin. Cat has to eat too. The cat shakes the corpse, scaly tail swinging like a clock’s pendulum. Sighing, I click my phone again, capturing the iguana’s fate in the sun’s glare.

* * *
LIZ DEBEER is a teacher and writer with Project Write Now, a writing cooperative. Her flash has appeared in BULL, Fictive Dream, Switch and others. She is a volunteer reader at Flash Fiction Magazine. You can also follow Liz on Substack.

by Jim Harrington

She'd been young, brash, married to a banker, an older man. Happiness didn't matter. Money and prestige did. That's what her mother had preached unceasingly. Now, withdrawn, widowed, childless, and nearly broke, she stared out the cracked window in the direction of a rotted oak, happiness still an unachievable feeling.

* * *

JIM HARRINGTON lives in Huntersville, NC, with his wife and two dogs. His stories have appeared in Flash Fiction Magazine, Free Flash Fiction, Short-Story.me, and others. More of his works can be found at https://jpharrington.blogspot.com.

by Liz deBeer

When an Adirondacks Park Campsite sign flashes past our station wagon, Daddy says, “Used to hike there with my pals.” Pauses. “Some never returned home from the war.” I inch closer, wondering but quiet. Later, we park and paddle to Lake George’s center, imagining catching bass, perch, trout. Daddy’s line jerks. He yanks, hoping-hoping-hoping. Too small. Then my line trembles, tugs. Daddy’s hands steady mine; we reel in together. Another loop of maybes, but—not a keeper either. Paddling back, me in the bow, him in the stern, we glide together, holding something that won’t fit into our empty cooler.

***

LIZ DEBEER is a teacher and writer with Project Write Now, a writing cooperative. Her flash has appeared in BULL, Fictive Dream, Switch and others. She is a volunteer reader at Flash Fiction Magazine. You can also follow Liz on Substack.

by Suzanne Hicks

Everyone’s chatting and forking lunch into their mouths, but I can’t take my eyes off the fish tank behind the bar, remembering the lake back home, watching hooks pulled from jaws, mouths gaping, gills pumping to breathe, smelling that lake water no matter the distance I put between us. If only I could plunge into the tank, gather all the fish in my arms, take them to salty, open waters. But I know they’d suffocate before I could find a place where they could feel what it’s like to swim free.

* * *

SUZANNE HICKS is a disabled writer living with multiple sclerosis. Her work has appeared in matchbook, Gooseberry Pie, Milk Candy Review, and others. Her stories have been selected for Best Microfiction and the Wigleaf Longlist. Read more at suzannehickswrites.com.

 @iamagnat.bsky.socialby Clodagh O Connor

My child is an unsolved equation. Doctors try to figure him out, cancelling out known factors until only his difference remains.

My child is a statistic. Normal children can’t help but be mean—it is their nature. He finds himself far from the centre, hiding in the long tail almost disappearing to nothing.

My child is not the problem. Why should he integrate himself into our way of thinking?  He must find his own solution, and I will be here to balance things out.

* * *

CLODAGH O CONNOR lives in Dublin, Ireland, and is working on becoming a writer. She particularly enjoys the challenges of tiny fiction. She can be found on Bluesky at @iamagnat.bsky.social.

Michael C. Roberts

As I drove her to the doctor’s office, my grandmother said, “it’s disorienting this business of getting old, all these aches and ailments, fuss and trouble, and thinking you’re 16 until you pass by a mirror.” I was 16 and nodded like I understood. Now 74, I’ve had an epiphany.

* * *

MICHAEL C. ROBERTS is a retiree enjoying life and good writing, and writing good, even if bad.

by Clodagh O Connor

I had to tell someone. Holding it all inside was so hard. Relief flooded in as my words spilled out.

“You seem so serene,” she said, “No one could ever tell.”

How right she was, sadly.
​
A newly dug grave provided the perfect hiding place. No one would ever tell.

* * *

CLODAGH O CONNOR lives in Dublin, Ireland, and is working on becoming a writer. She particularly enjoys the challenges of tiny fiction. She can be found on Bluesky at @iamagnat.bsky.social.

by Fatimah Akanbi

​​A crumpled paper landed at your feet, and you hoped it would be a letter telling you how she had always loved you—like you had always loved her. Or how she always thought about you in those dreadful holidays between semesters, like you always thought about her. Or maybe how she would scribble your name on the mirror every morning, the way you would always scribble hers. But when you opened it, you only found wrong math workings she tore out of her notebook. She was going to throw it in the bin, and you just got in the way.

​* * *

FATIMAH AKANBI writes fiction and poetry. She has been writing since she was five, and is currently pursuing a degree in Information Technology at the University of Ilorin. She is @legendary.scribe on Instagram. 

Anne Marie Lyall

Seth placed his mother by the hearth. It had been her favourite spot. Until that night. When she’d stormed out. Swore never to set foot in his house again.

He supposed she’d kept her word.

Banjo whimpered as he sniffed the opaque jar. He had always been fond of mother. 

* * *

ANNE MARIE LYALL is from Scotland. She can almost see Loch Lomond on a clear day. She is published in the Oxford Flash Fiction Prize Anthology, 101 Words, Cafe Lit and long listed in the Myslexia Flash Fiction Competition.  

by Lori Cramer

Dressed in a neon-pink sweatshirt, leopard-print leggings, and Reebok high-tops, Barbara pushes a grocery cart from one aisle to the next. Nearly every song on the supermarket’s retro playlist sparks a fond memory of her youth. Dances. Frat parties. Games in the quad. As she’s selecting a Lean Cuisine entrée for tonight’s dinner, a ballad comes on, stirring tender recollections of her first love, Barry. Over by the frozen pizzas, a man in khakis and a blue oxford like Barry used to wear catches her eye. He smiles. And, for just a moment, Barbara could swear that it’s 1987 again.

* * *

LORI CRAMER’s short prose has appeared in Fictive Dream, Flash Boulevard, Scaffold, Splonk, Switch, and elsewhere. Her work has been longlisted for the Wigleaf Top 50 and nominated for Best Microfiction. Links to her writing: https://loricramerfiction.wordpress.com.
Bluesky: @loricramerwriter.bsky.social.

by Colleen M. Farrelly

He says do you have a lighter and I say no and he says can I borrow twenty bucks and I say no and he says I love you and I say okay and give him twenty bucks. He goes wherever he goes, and I promise I’ll say no tomorrow.

* * *

COLLEEN M. FARELLY is a mathematician and haibun poet from Miami, FL. She's trying dribbles and drabbles, which seem to fit well with haibun.

by Adele Gallogly

Why does Faye keep giving the same line to library staff asking, “How are you?” When they emphasize are, she pictures a single, careening letter R. 

“Oh I’m good, besides missing the old lump in my bed!” she says. Exactly. Breathlessly. Unfailingly. To the retiring director. To the teenage volunteer. To the brusque clerk returning one-word titles Ron was too confused to begin: Endurance, Unbroken, Atonement.
​
Near the exit, Faye starts to answer the janitor tipping a black wastebasket, but stops after “Oh.” She hears herself tucking her beloved husband into a soft mound of grief in her throat. 

Oh.

* * *

ADELE GALLOGLY is a writer and editor in Ontario, Canada. Her very short stories have been published in FlashFlood, Writers' Hour, Six-Sentences, and Paragraph Planet. You can follow her on BlueSky.

by Ariel M. Goldenthal

You told me that the ocean held your family’s secrets for centuries and that the rope tethering us ashore could fray without warning. We danced along the edge of the icy water, your hand in mine, smooth rocks coarse against fresh cuts on the soles of my feet.

You said the stairs were too steep; the electrical, too old for me to be alone by the sea. You didn’t tell me you’d be the nightmare worse than the wind-scraping of oak tree branches against shutters.

Now the house keeps all my secrets and more than the remnants of your pain.   

* * *

ARIEL M. GOLDENTHAL is an associate professor of English at George Mason University. Her work has appeared in The Citron Review, Fractured Lit, Exposition Review, and others. Read more at www.arielmgoldenthal.com.