|
With the start of a new year comes a new issue of The Hoolet’s Nook, and we’re glad you’re here. THN has always gravitated toward understated, thoughtful work that values resonance over noise, and the pieces in this issue continue to carry that quiet strength. We invite you to pause and let the words settle, perhaps with a warm cup in hand, and to all the contributors who have helped shape THN, we are deeply grateful—your trust and support mean the world to us. Namaste, G.R. LeBlanc Managing Editor Thinking of submitting? Our next reading round opens February 1st. Guidelines are available here. TABLE OF CONTENTSSTORIES UP TO 100 WORDS SELKIE, by Sarah Rodgers TROPICAL MOMENTS, by Liz deBeer MAYBE THIS YEAR, by Jim Harrington SLIPPERY MEMORIES, by Liz deBeer SOMETHING IN THE WATER, by Suzanne Hicks ODD, by Clodagh O Connor UNDERSTANDING, by Michael Roberts KEEPING SECRETS, by Clodagh O Connor STORIES 101 - 300 WORDS IF I HADN'T MET YOU, by Anne Howkins A RED HOOD, by Jenny Morelli THE INSISTENT THROBBING, Dustin P Brown THE LIE WE BELIEVED, by M.D. Smith GO-GO BOYS VERY SMALL WORLD, by Marc Littman WORKINGS, by Fatima Akanbi WASHED AWAY, by Allison Renner BROKEN CHINA, by Claire Kroening CANTICLE, Leonard St-Aubin THE SHED, by Suzie Pearson WINTER WOE, by Jaime Dunkle AFTER YOU LEFT, by Shama GRIEF, by Barbara Brooks ON MOOSEHEAD LAKE, by John Grey PIRATE HEART, by Bart Edelman ONE BREATH POETRY, haiku by Jahnavi Gogoi, Gareth Nurden, and Kaushal Suvarna The Hoolet’s Nook is free to enjoy, with no submission fees. If our stories and poems bring a little brightness to your day, you’re welcome to support THN through our Tip Jar. Your support helps keep this nook going—and occasionally makes room for a much-needed latte break. 💗🙏🏼🦉
0 Comments
by Sarah Rodgers Sealskin does burn, it turns out. She was sleeping in our bed when I slipped away to do the deed. She didn’t know I had found the secret skin she had shed, and she never will. I told myself I was setting her free. She wouldn’t be torn between land and sea anymore. She would be with me, fully, and neither of us would be alone. Love can look like this, right? I didn’t know she would feel it, though. I didn’t know it hurts when you burn a selkie’s skin. Of that bit, I am innocent. Loneliness burns, too. * * * SARAH RODGERS is a storyteller who lives in upstate New York with her husband and three daughters. In addition to (or perhaps due to) her passion for storytelling, she also loves movies, reading, and dancing. Editor’s note: content depicts nature's stark side. by Liz deBeer Eyes half closed, an iguana, the color of a peapod, poses in a sun patch. Oozing self-satisfaction like a Tik-Tok influencer, the reptile nods, dewlap bobbing. Phone in hand, I’m clicking when a gray blur interrupts. What the—? My gasp is met by a cat’s triumphant yellow eyes, the iguana dangling in its jaws. My instinct is to holler-scold, but I swallow my rage to reflect on Darwin. Cat has to eat too. The cat shakes the corpse, scaly tail swinging like a clock’s pendulum. Sighing, I click my phone again, capturing the iguana’s fate in the sun’s glare. * * * Liz deBeer is a teacher and writer with Project Write Now, a writing cooperative. Her flash has appeared in BULL, Fictive Dream, Switch and others. She is a volunteer reader at Flash Fiction Magazine. Follow Liz at www.ldebeerwriter.com and https://lizardstale.substack.com. by Jim Harrington She'd been young, brash, married to a banker, an older man. Happiness didn't matter. Money and prestige did. That's what her mother had preached unceasingly. Now, withdrawn, widowed, childless, and nearly broke, she stared out the cracked window in the direction of a rotted oak, happiness still an unachievable feeling. * * * JIM HARRINGTON lives in Huntersville, NC, with his wife and two dogs. His stories have appeared in Flash Fiction Magazine, Free Flash Fiction, Short-Story.me, and others. More of his works can be found at https://jpharrington.blogspot.com. by Liz deBeer When an Adirondacks Park Campsite sign flashes past our station wagon, Daddy says, “Used to hike there with my pals.” Pauses. “Some never returned home from the war.” I inch closer, wondering but quiet. Later, we park and paddle to Lake George’s center, imagining catching bass, perch, trout. Daddy’s line jerks. He yanks, hoping-hoping-hoping. Too small. Then my line trembles, tugs. Daddy’s hands steady mine; we reel in together. Another loop of maybes, but—not a keeper either. Paddling back, me in the bow, him in the stern, we glide together, holding something that won’t fit into our empty cooler. *** LIZ DEBEER is a teacher and writer with Project Write Now, a writing cooperative. Her flash has appeared in BULL, Fictive Dream, Switch and others. She is a volunteer reader at Flash Fiction Magazine. Follow Liz at www.ldebeerwriter.com and https://lizardstale.substack.com. by Suzanne Hicks Everyone’s chatting and forking lunch into their mouths, but I can’t take my eyes off the fish tank behind the bar, remembering the lake back home, watching hooks pulled from jaws, mouths gaping, gills pumping to breathe, smelling that lake water no matter the distance I put between us. If only I could plunge into the tank, gather all the fish in my arms, take them to salty, open waters. But I know they’d suffocate before I could find a place where they could feel what it’s like to swim free. * * * SUZANNE HICKS is a disabled writer living with multiple sclerosis. Her work has appeared in matchbook, Gooseberry Pie, Milk Candy Review, and others. Her stories have been selected for Best Microfiction and the Wigleaf Longlist. Read more at suzannehickswrites.com. by Clodagh O Connor My child is an unsolved equation. Doctors try to figure him out, cancelling out known factors until only his difference remains. My child is a statistic. Normal children can’t help but be mean—it is their nature. He finds himself far from the centre, hiding in the long tail almost disappearing to nothing. My child is not the problem. Why should he integrate himself into our way of thinking? He must find his own solution, and I will be here to balance things out. * * * CLODAGH O CONNOR lives in Dublin, Ireland, and is working on becoming a writer. She particularly enjoys the challenges of tiny fiction. She can be found on Bluesky at https://bsky.app/profile/iamagnat.bsky.social. Michael Roberts As I drove her to the doctor’s office, my grandmother said, “it’s disorienting this business of getting old, all these aches and ailments, fuss and trouble, and thinking you’re 16 until you pass by a mirror.” I was 16 and nodded like I understood. Now 74, I’ve had an epiphany. * * * MICHAEL ROBERTS is a retiree enjoying life and good writing, and writing good, even if bad. by Clodagh O Connor I had to tell someone. Holding it all inside was so hard. Relief flooded in as my words spilled out. “You seem so serene,” she said, “No one could ever tell.” How right she was, sadly. A newly dug grave provided the perfect hiding place. No one would ever tell. * * * CLODAGH O CONNOR lives in Dublin, Ireland, and is working on becoming a writer. She particularly enjoys the challenges of tiny fiction. She can be found on Bluesky at https://bsky.app/profile/iamagnat.bsky.social. by Anne Howkins maybe I wouldn’t have learnt the correct way to look at a painting. Think light and shadow, see the humility, the vulnerability, but here I am, in front of Rembrandt’s Night Watch, and yes, I see it, the chaos, the girl looking at the powerful, red-sashed man, I get it. Now you’ve slinked away like a guttering flame, I’d like to say thank you for all those times you pointed out what Constable, or Turner, or Cezanne had hidden in the shadows. For all those times you talked about the building of layer upon layer on an empty canvas—the way those layers became scumbled, burying what lay beneath. For all those times you stood with me, directing me to the source of light, to trace its delicate illumination of a lace collar, its cruel glare on an old woman’s wrinkles. For all those times you talked about colour; Vermeer’s miring himself in debt to paint a girl’s headdress ultramarine, Turner’s daubed red buoy mocking Constable’s over-use of the same shade. And I wanted to let you know, I saw you in that gallery a couple of years ago with a woman. I recognised the look on her face before I realised it was you, pointing and talking, and it was too soon for me, that day, there were too many of the layers you’d painted still to be brushed away. It was too soon for me, that day, to look at your face, to catch that familiar flash of blue eyes blazing as you lectured your entranced companion, and just a glimpse of a faded red scarf was enough to send me trembling out onto the street. But if you were here now, I’d just say that Rembrandt chose to shine his light on the girl, and she’s glowing. * * * ANNE HOWKINS' little stories have appeared at WestWord, Flash 500, Free Flash Fiction, NFFD, Cranked Anvil, The Hoolets Nook and TrashCatLit. Anne also looks after the finances of a charity, walks and spends time with her adored grandson. Bluesky @anneh23.bsky.social Editor's note: depicts dark themes. by Jenny Morelli Dear Little Red, I understand now why you wore a hood tugged low around your head. It was to buffer your fears. I understand now why it was red. It flared with your heartbreak and despair. The edges were equally frayed from the depth of your rage. This was your life, your grim tale to tell, a tale that began on a snowy night when a fur-cloaked shadow howled with hunger into the wind, desperate to survive. When you approached, bearing meat from your basket, the wolf chewed and swallowed, lay her head in your lap with warmth and gratitude and a love you never knew. Then a crack split the snow-muffled silence and your lap grew warm with her blood-red-hooded eyes as the Huntsman ran to save you, to pull you free from the monster, but you didn’t need saving, so you shoved him away as tears drenched your fevered, red-raged cheeks. You ran and you ran along the beast’s beaten path to where her cowering litter lay huddled tight and you covered them all with your red-hooded cape. You lowered your frayed hood against the winds, against the savages and lived your life with a newfound purpose, with a confound hope, with a profound love. * * * JENNY MORELLI is a NJ high school English teacher who lives with her husband, cat, and myriad yard pets. She’s published in several literary magazines including Spillwords and Red Rose Thorns, and has four poetry chapbooks with Bottlecap Press. Visit her website: JennyMorelliWrites.com by Dustin P Brown He couldn’t tell her how he felt; it was too mean. His grandmother had taught him to keep his mouth shut if nothing good would come out of it. Still, he wanted to. The pilot warned of turbulence in a crackly voice. He wanted to scream at the woman, all the horrible things he couldn’t say out loud. She wasn’t real to him. She could be a void to toss bad thoughts into. But he didn’t. Instead, he ignored her feet on the back of his plane seat, same way he’d been ignoring the lump near his scrotum. Couldn’t do it. It’s what killed his Poppa all those years ago. Oops, there’s the bump, oops now you’re in a casket covered in unflattering makeup. He could yell all of this at the feet shoving cushion into his spine. He could do it. It was all he wanted in that moment, but he didn’t. He literally bit his tongue, chewed it up into used gum, really tapped that rage down into the pit of his stomach where it throbbed next to the lump. Then he waved off a drink-cart-pushing flight attendant. Did death hurt? Was he just afraid of pain? No, there was more. The unknown. The same fear his grandmother would soothe in her bedroom late at night when he’d spend the night at their house as a child. The way she’d flick on a nightlight and solve all his problems in a moment. Moments can be so powerful. A diagnosis. The insistent throbbing of an impolite woman’s feet against your back. A last breath. A light in the dark. * * * Dustin P Brown is a Michigan-born, Spain-based author of poetry and prose. He received his BA in Creative Writing from Western Michigan University and currently works as an editor and interpreter. Instagram: @dpbrownwrites / BlueSky: @dpbrownwrites.bsky.social Author site: https://dustinpbrown.wixsite.com/author by M.D. Smith “We’ll grow old together,” you whispered that night under the streetlamp, your thumb tracing circles on my wrist. I believed you. That was our first lie—the sweetest one we ever told. Eight months later, you moved to Chicago to teach. I stayed in Virginia Beach, running my father’s store. We promised distance wouldn’t matter. Your blue-ink letters arrived every Friday, smelling faintly of cinnamon and cigarette smoke. You wrote of your students, your loneliness, and once of a dream where we were gray-haired, still together on a porch somewhere, still in love. I carried that letter until it fell apart. I always wrote you back. Time moved on. You married a kind man. I married a good woman named Claire. We built separate lives, but sometimes, when the night went still, I’d wonder if you were looking at the same moon. Decades later, your handwriting returned, shaky, fragile. “I’m sick,” you wrote. “I wanted you to know I kept our lie alive longer than I meant to. Maybe love doesn’t die. It just changes its address.” Claire read the letter and said quietly, “You should go.” You were waiting on your daughter’s porch, eyes bright despite the disease. We spoke for hours. When the sun dipped low, you asked, “Do you still believe it?” “I think love did conquer time,” I said. “Just not the way we thought.” You smiled. Three weeks later, you were gone. Your final letter arrived after the funeral: “If you’re reading this, watch the sunrise at the ocean and think of me. That’s where I’ll be.” I went. The tide whispered your name, and for one impossible moment, I felt your hand in mine again. Maybe love is just the lie we keep believing. Our unfulfilled promises wash over me like the surf. * * * M.D. SMITH of Huntsville, Alabama, writer of over 350 flash stories, has published digitally in Frontier Times, Flash Fiction Magazine, Bewildering Stories, and many more. Retired from running a television station, he lives with his wife of 64 years and three cats. Marc Littman They called Todd Go-Go Boy because he was always on the go yet he ran about in a very small world. See, Todd couldn’t afford to go anywhere, no money and tethered to a rusty old trailer with a rusty old mother who drank away whatever money he scrounged from hustling odd jobs in a neighborhood where everyone hustled. But Todd escaped reality by roaming the Internet booking exotic trips from the bowels of Death Valley to the sublime heights of Mount Everest and canceling his reservations in the nick of time before his mother’s credit card could be charged. Still, the dreamy prospects of finally taking off plastered a bright smile on Go-Go Boy’s face and blinded his eyes. That might explain why Go-Go Boy failed to sense the thug on his tail one late night exiting the liquor store with a nightcap for mother. Now Go-Go Boy doesn’t need to make reservations or cancel. He goes where his soul pleases whenever and wherever. * * * Marc Littman is a former journalist who now writes fiction. He lives in Los Angeles. by Fatimah Akanbi A crumpled paper landed at your feet, and you hoped it would be a letter telling you how she had always loved you—like you had always loved her. Or how she always thought about you in those dreadful holidays between semesters, like you always thought about her. Or maybe how she would scribble your name on the mirror every morning, the way you would always scribble hers. But when you opened it, you only found wrong math workings she tore out of her notebook. She was going to throw it in the bin, and you just got in the way. * * * FATIMAH AKANBI writes fiction and poetry. She has been writing since she was five, and is currently pursuing a degree in Information Technology at the University of Ilorin. She is @legendary.scribe on Instagram. |
DONATE VIA KO-FI
Categories
All
Archives
January 2026
©2024 THE HOOLET'S NOOK.
ALL RIGHTS RESERVED. |
RSS Feed